The big question was whether, besides the alephs, there are also other powers of
sets; for two years now I have been in possession of a proof that there are no
others; so that, for example, the arithmetic linear continuum (the totality of
all real numbers) has a determinate aleph as its cardinal number.
The Bacon-Shakespeare question, on the other hand, is for me completely
finished; it cost me a great deal of time and money; to pursue it further I
should have to make much greater sacrifices, travel to England, study the
archives there, etc. With warm greetings to you and your sister [etc.]
It's interesting because Cantor made one of the greatest contributions to mathematicians and logic in the whole history of the subject (e.g Godel's proof and much else ultimately depends on the insights of Cantor's elegant diagonal argument), and yet here he is spending 'much time and money' on something generally regarded as, well, a bit cranky.
But enough of that. The aim of this post to is show 'Nishadani' and his like that we can prove the falsity of Baconian, Oxfordian Marlovian theories etc. etc., without any tedious recourse to textual analysis, biography or any other such un-philosophical considerations. We can prove it by pure logic. Let ‘Shakespeare’ denote whoever it was that wrote the plays attributed to the man of that name.
1. Shakespeare and Bacon were one and the same person.
2. There is no doubt as to whether Shakespeare wrote The Tempest
3. There is some doubt as to whether Bacon wrote The Tempest
4. If a=b and Fa then Fb (Indiscernibility of identicals)
Since the four propositions are aporetic, i.e. jointly yield a contradiction, one of the premisses must be false. The first is a mere assumption. Clearly the second is true: obviously the man who wrote the 'Shakespeare' plays called himself 'Shakespeare', just as 'Nishadani' calls himself 'Nishadani'. That is pure logic. The third is true - there wouldn't be so much arguing and gnashing of teeth on Wikipedia if there were no doubt at all. And the fourth (from Leibniz) is beyond all doubt. If Shakespeare and De Vere (or Marlow or whoever) were one and the same person, and De Vere was accused of pederasty, then so was Shakespeare. If De Vere died in 1604 (or whenever) then so did Shakespeare, assuming the identity.
But all four imply a contradiction. By substitution of 'Bacon' for 'Shakespeare' in proposition (2), and by indiscernibility of identicals (4), we have
(*) There is no doubt as to whether Bacon wrote The Tempest
But this proposition contradicts (3) above. It cannot be true that there is some doubt that Bacon wrote the Tempest (even a tiny bit of doubt) and that there is no doubt. Contradiction. Therefore the weakest of the four propositions above must be rejected, namely that Bacon and Shakespeare were the same person.
So forget the historical and textual crap. By purely logical and philosophical methods we can clarify all manner of difficult questions like this.
4 comments:
Excellent! Who is being satirised here I wonder?
Apologies for being plodding, but I'd like to get clear why this argument fails. Simplified version with fewer historical intangibles: Let 'the murderer' denote whichever suspect killed the victim. There's no doubt the murderer did it but for every suspect there is some doubt as to whether he did it. Seeming contradiction. Conclusion: in our state of ignorance 'the murderer' does not identify an individual. It's a description that floats, as it were, above the suspects but points to none in particular. The sense in which there is no doubt that the murderer killed the victim is that he did so by definition (definition can be fatal!) rather than that the evidence points overwhelmingly towards one particular suspect. Is this close?
How would this example be treated in a 'singular concept' theory? Presumably we would need n SCs, one per suspect, and a further SC to encapsulate properties of the murderer---'has size 10 shoes', etc etc. If the evidence ever becomes overwhelming that suspect s did it, then at that point SC(s) and SC(m) tend to coalesce. Perhaps the degree of 'overlap' represents our degree of belief that s=m. It's somewhat counterintuitive to think that there are n+1 SCs in action here but it does dissolve the contradiction. And it does seem to reflect how we organise the known facts in our minds, I think.
The question is whether and why Leibniz' law fails.
There are actually two 'laws'. The first is the identity of indiscernibles. The second, which is the one invoked here, is the indiscernibility of identicals.
Fa and a=b -> Fb
The law says that if you substitute a name for the same object, you preserve truth values.
More later.
Sure. I'm inclined to say Leibniz doesn't fail. Rather, 'the murderer', 'Shakespeare', are not names of objects.
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