The Monologion
Labels: logic museum
Philosophy, Medieval Logic and the London Plumbing Crisis
Labels: logic museum

Bill asks here "What makes my utterance of 'Socrates' denote Socrates rather than someone or something else?"Labels: equivocation, fiction, relativity of reference
It is easy to see that no one entity can satisfy both (D1) and (D2). So if reference is routed through sense, then Christian and Muslim cannot be referring to the same being. Indeed, one of them is not succeeding in referring at all. For if God is triune, nothing in reality answers tothe Muslim's conception of God. And if God is unitarian, then nothing in reality answers to the Christian conception.His examples bring out, in my view, the problem with description theories of singular reference. Suppose that, according to religion A1, there is one god who satisfies the uniquely applying description F1. And suppose that, according to religion A2, there is one god who satisfies the uniquely applying description F2. And suppose, for sake of argument, that F1 and F2 are contraries. Nothing can be both F1 and F2 (Bill's example is 'unitarian' and 'triune'. Then if religion A1 is correct, there is exactly one F1 and (from the logical properties of F1) there can be no being that satisfies F2. Conversely, if religion A2 is correct, there is exactly one F2, and there can be no being that is F1. According to a description theory, neither god can be identical with the other, if either exists.
Now for the poet, he nothing affirmeth, and therefore never lieth. For, as I take it, to lie is to affirm that to be true which is false; so as the other artists, and especially the historian, affirming many things, can, in the cloudy knowledge of mankind, hardly escape from many lies. But the poet, as I said before, never affirmeth. The poet never maketh any circles about your imagination, to conjure you to believe for true what he writeth. He citeth not authorities of other histories, but even for his entry calleth the sweet Muses to inspire into him a good invention; in troth, not laboring to tell you what is or is not, but what should or should not be. And therefore though he recount things not true, yet because he telleth them not for true he lieth not; without we will say that Nathan lied in his speech, before alleged, to David; which, as a wicked man durst scarce say, so think I none so simple would say that Aesop lied in the tales of his beasts; for who thinketh that Aesop wrote it for actually true, were well worthy to have his name chronicled among the beasts he writeth of.This is not right. For it is not true, as Sidney implies, that there is absolutely no gap between saying something false, and lying. There are at least two things in between. The dictionary definition of ‘to lie’ is ‘to utter something that is false with the intention to deceive’. Thus (1) in the case of stories, the narrator utters something he knows to be false, but with no intention to deceive. There is a compact between the narrator and his audience. The audience knows that these are falsehoods, the narrator knows that they know this, and both sides agree the same. This does not change the fact that the things said are (typically) falsehoods. And (2) in many cases a person uttering falsehoods does not know they are false, but rather believes sincerely in their truth, and so does not intend to deceive either. For example, a story about some miracle that (we will assume) cannot be true, but which the teller genuinely and sincerely and believes, and which, to paraphrase Sidney “he telleth for true”.
The main character groups in Mark's Gospel are the disciples, the opponents of Jesus, and the crowd. In addition to these groups, a number of individual characters are included in Mark's narrative. Some of them, such as Andrew or Peter, are disciples, while others, such as the high priest or Pilate, oppose Jesus. Also a number of minor characters function neither as Jesus' disciples nor as His opponents.The statements are clearly true, and they include the sort of quantification (“some of them … others…”) that Inwagen’s account is designed to explain. But they are inconsistent with one of his key assumptions, which is that ‘textual criticism’ statements are vehicles of assertion, whereas the sentences in the texts they are criticising are not.
Labels: assertion, fiction, van inwagen
(i) She was a fat old woman, this Mrs. Gamp, with a husky voice and a moist eye, which she had a remarkable power of turning up, and only showing the showing the white of it (Martin Chuzzlewit, XIX)and sentences like this:
(ii) Mrs. Sarah Gamp was, four-and-twenty years ago, a fair representation of the hired attendant on the poor in sickness (From Dickens's preface to an 1867 edition of Martin Chuzzlewit)The first is a sentence from the novel itself, and so belongs in English literature. The second is from an essay about the novel, and so belongs in English literary criticism. It turns out (p. 301) that while Van Inwagen regards the second type of sentence, i.e. the sentence belonging to the genre of literary criticism, as being the vehicle of assertion and thus capable of truth and falsity (the second one is probably true, for example), he does not regard the first type as being a vehicle of assertion. He writes:
There is no point in debating what sort of thing Dickens was writing about when he wrote (i) or debating what sort of fact or proposition he was asserting, since he was not writing about anything and was asserting nothing. Sentence (i) does not represent an attempt at reference or description.He mentions (in a footnote) that this is an important point and that the reader who does not concede it will get little out of reading further. He says that the arguments establishing it will be found in Alvin Plantinga, The Nature of Necessity (Oxford, 1974) Ch. VIII, pp. 153-163 especially, and J. O. Urmson, "Fiction," American Philosophical Quarterly, vol. 4 13 (1976), pp. 153-157. Much of what Plantinga says is visible on limited preview here.
How it is we are able to use the proper name "Mrs. Gamp" to refer to a certain creature of fiction ? Normally, an object gets a proper name by being dubbed or baptized. But no one ever dubbed or baptized the main satiric villainess of Martin Chuzzlewit "Mrs. Gamp."There is no corresponding problem about how it is this creature of fiction is denoted by "the main satiric villainess of Martin Chuzzlewit," for this is a quite straightforward definite description that names what we also call "Mrs. Gamp" for the same reason that "the tallest structure in Paris in 1905" names what we also call "the Eiffel Tower" : in each of these cases, a definite description denotes a certain object in virtue of a certain property that that object has uniquely. I think that if we are to have a satisfactory theory of how it is that we manage to refer to particular creatures of fiction, this theory will have to treat such descriptions as "the main satiric villainess" as the primary means of reference to these objects, and proper names as a secondary (though more common) means of reference.In subsequent posts, I will clarify and add to my earlier views on the two positions (a) and (b) above.
Labels: fiction, van inwagen
Labels: fiction, mathematics
"We have entered the information age." This announcement is usually intoned solemnly, as if information did not exist in other ages. But every age is an age of information, each in its own way and according to the media available at the time. No one would deny that the modes of communication are changing rapidly, perhaps as rapidly as in Gutenberg's day, but it is misleading to construe that change as unprecedented.And see my own ramblings, e.g. here.
Labels: web 2.0 nonsense, wikipedia
Labels: existence, fiction, van inwagen
Labels: existence, van inwagen
Labels: existence, fiction, van inwagen
Labels: logic museum
When I say that everything exists and the neo-Meinongian denies that everything exists, we’re not talking past each another—not, at any rate, because we mean different things by ‘everything’. It is precisely because the neo-Meinongian knows that I mean just what he does by ‘everything’ that he indignantly rises to dispute my contention that everything exists.This is not a hundred miles from what I argued here. Maverick philosopher also discusses Inwagen's paper here, though I confess I don't understand his objections to it. The force of Inwagen's paper is neo-Meinongianism is a theory about the meaning of 'exists', rather than a theory about what exists.
Internal discourse by readers can still be held to be true even though it involves non-referring names, since these claims are plausibly held to be implicitly prefixed with a fiction operator, where “According to the fiction, Holmes solved his first mystery in his college years” may be true even if the simple claim “Holmes solved his first mystery in his college years” would be false. Cross-fictional statements can be handled similarly by taking them to fall in the context of an ‘agglomerative’ story operator that appeals to the total content of the relevant stories, taken together, e.g. “According to (Anna Karenina and Madame Bovary [taken agglomeratively]), Anna Karenina was more intelligent than Emma Bovary”Fictional operator theories are attractive, and I will try to discuss them next week.
Labels: existence, fiction, meinong, thomasson, van inwagen
| Chapter or section | Description |
|---|---|
| Index | The division of terms |
| Book I chapters 1-4 | The division of terms |
| Book I chapters 5-9 | Concrete and abstract terms |
| Book I chapter 10 | The definition of 'connotative' and 'absolute' terms |
| Book II chapter 7 | Truth conditions of past and future tense propositions |
| Book II chapters 12 & 14 | Negative and non-referring propositions |
| Book III.2 chapters 4-7 | Of the division of propositions required for demonstration |
Labels: logic museum, ockham
Holiday time, so I am amusing myself by reading the ghost stories of M.R. James again. As Wikipedia correctly notes, James' protagonists are usually naive scholarly gentlemen, who through the discovery of some antiquarian object attract (generally unwelcome and unpleasant) attention from the other side of the grave. Naturally there is plenty of Latin. James went to Eton College and the King's College Cambridge, where he began a distinguished academic career, becoming Director of the Fitzwilliam museum, then Provost of King's. He is well-known to medievalists through his Descriptive Catalogue of the manuscripts in the Library of Gonville and Caius College.| Latin | English |
|---|---|
| Verum usque in praesentem diem multa garriunt inter se Canonici de abscondito quodam istius Abbatis Thomae thesauro, quem saepe, quanquam ahduc incassum, quaesiverunt Steinfeldenses. | Up to the present day there is much gossip among the Canons about a certain hidden treasure of this Abbot Thomas, for which those of Steinfeld have often made search, though hitherto in vain. |
| Ipsum enim Thomam adhuc florida in aetate existentem ingentem auri massam circa monasterium defodisse perhibent; de quo multoties interrogatus ubi esset, cum risu respondere solitus erat: ‘Job, Johannes, et Zacharias vel vobis vel posteris indicabunt’; idemque aliquando adiicere se inventuris minime invisurum. | The story is that Thomas, while yet in the vigour of life, concealed a very large quantity of gold somewhere in the monastery. He was often asked where it was, and always answered, with a laugh: ‘Job, John, and Zechariah will tell either you or your successors.’ He sometimes added that he should feel no grudge against those who might find it. |
| Inter alia huius Abbatis opera, hoc memoria praecipue dignum indico quod fenestram magnam in orientali parte alae australis in ecclesia sua imaginibus optime in vitro depictis impleverit: id quod et ipsius effigies et insignia ibidem posita demonstrant. | Among other works carried out by this Abbot I may specially mention his filling the great window at the east end of the south aisle of the church with figures admirably painted on glass, as his effigy and arms in the window attest. |
| Domum quoque Abbatialem fere totam restauravit: puteo in atrio ipsius effosso et lapidibus marmoreis pulchre caelatis exornato. Decessit autem, morte aliquantulum subitanea perculsus, aetatis suae anno lxxii(do), incarnationis vero Dominicae mdxxix(o). | He also restored almost the whole of the Abbot’s lodging, and dug a well in the court of it, which he adorned with beautiful carvings in marble. He died rather suddenly in the seventy-second year of his age, A.D. 1529. |
| Latin* | Loux | Boehner |
|---|---|---|
| Item, sequeretur quod aliquid de essentia Christi esset miserum et damnatum, quia illa natura communis exsistens realiter in Christo et in damnato esset damnata, quia in Iuda. Hoc autem absurdum est. | Again, it follows that something of the essence of Christ would be miserable and damned, since that common nature really existing in Christ would be damned in the damned individual; for surely that essence is also in Judas. But this is absurd. | Furthermore, it follows that something of the essence of Christ would be miserable and damned; since that common nature which really exists in Christ, really exists in Judas also and is damned.Therefore, something is both in Christ and in one who is damned, namely in Judas. That, however, is absurd. |
Labels: nominalism, ockham
Labels: demonstrative reference, fiction, relativity of reference

I argued earlier, e.g. here and here, that 'verbal' individuation, where we have only linguistic information about a set of characters, and where we use proper names or pronouns to learn which character is being talked about, is object independent. No F actually has to exist, for us to be told which thing is F. There are no hobbits, yet Tolkien can tell us which hobbit carried the ring into Mordor, which hobbit was his gardener, and so on. Is the same true about 'perceptual individuation'? This is where we tell which individual is being pointed to, or who is the reference of a demonstrative proposition, or simply which person we are seeing or hearing. Can we understand the demonstrative 'this rose' without there being an actual rose that is pointed to? Can you draw my attention to something, if there isn't a something?Labels: existence, fiction, relativity of reference, semantic independence
For if the truth and falsity of propositions are qualities of propositions as whiteness and blackness are qualities of bodies, then whenever some truth exists, ‘this truth exists’ will be true, just as whenever some whiteness exists, ‘this whiteness exists’ will be true. And in the same way of any falsity. Then I accept the falsity of the proposition “God newly creates something”, which according to that opinion is a single quality of the proposition, inhering in it, and as a consequence is something other than God.
Then I ask whether that thing can be created by God, or not. If it cannot, then it is something other than God which cannot be created by God, which is against the Evangelist, who says “All things were made by him: and without him was made nothing that was made.” [John 1.3]. But if it can be newly created by God, let it be given. Then “this falsity is newly created by God” will be true, and “this falsity is newly created by God, therefore something is newly created” will follow, and further “therefore it is true that something is newly created by God”, and as a consequence it is not false, and furthermore “therefore this falsity of the proposition does not exist”, and further still “therefore it is not newly created by God”.
Labels: ockham, semantic independence
Our obscure idea of substance in general. So that if any one will examine himself concerning his notion of pure substance in general, he will find he has no other idea of it at all, but only a supposition of he knows not what support of such qualities which are capable of producing simple ideas in us; which qualities are commonly called accidents. If any one should be asked, what is the subject wherein colour or weight inheres, he would have nothing to say, but the solid extended parts; and if he were demanded, what is it that solidity and extension adhere in, he would not be in a much better case than the Indian before mentioned who, saying that the world was supported by a great elephant, was asked what the elephant rested on; to which his answer was- a great tortoise: but being again pressed to know what gave support to the broad-backed tortoise, replied- something, he knew not what. And thus here, as in all other cases where we use words without having clear and distinct ideas, we talk like children: who, being questioned what such a thing is, which they know not, readily give this satisfactory answer, that it is something: which in truth signifies no more, when so used, either by children or men, but that they know not what; and that the thing they pretend to know, and talk of, is what they have no distinct idea of at all, and so are perfectly ignorant of it, and in the dark. The idea then we have, to which we give the general name substance, being nothing but the supposed, but unknown, support of those qualities we find existing, which we imagine cannot subsist sine re substante, without something to support them, we call that support substantia; which, according to the true import of the word, is, in plain English, standing under or upholding.
Labels: demonstrative reference, reference, relativity of reference
Can we take a closer look, then, at the Ockhamist theory of proper names? One implication appears to be that, for understanding and deciding the truth of a set of sentences, eg, the Dido and Aeneas story, we can do without the notion of reference altogether. The story can be thought of as a pattern or template or specification with blank spaces or empty slots. The pattern is to be offered up to the world and if we can find objects that fit the slots then the story is true. Names serve merely to label the slots and convey what relations between the slot occupiers are to hold. There is a strong whiff of circularity here which will need to be addressed. Basically, the pattern matching has to be done non-linguistically. But the upshot appears to be that the finding of the objects that satisfy the story is what makes them the referents of the names, under the usual understanding of 'reference'. So we had things backwards all along. This makes some sense to me but it doesn't seem to gel with your 'proper names are descriptive, signifying 'haecceity''. Could you expand on that?First point: we aren’t doing without the notion of reference. As I pointed out here, we sometimes need to ask which fictional character is being referred to. A GCSE paper may ask which character is being referred to, and the answer might be
Labels: deflationary theories of truth, fiction, reference, relativity of reference, truth
Labels: existence, fiction, van inwagen
It was not always this way. Logic used to be a key component [of] liberal education: it was part of the classic “trivium”. Being able to masterfully wield logic in debate enabled Peter Abelard to advance medieval philosophy past the Neoplatonic rut it was mired in, and made him the closest thing in his day to a rock star. The School of Salamanca used scholastic logic to give birth to economic theory. Even after scholasticism was unfairly discredited, logic was still widely studied by schoolboys throughout the west. The Austrian School used logic to rigorize and advance economic science. However, the rise of positivism rang the death knell for the widespread study of logic.And rightly so. While mathematical logic is excellent mathematics, it doesn't capture everything about human reasoning using ordinary language. In particular, as I have emphasised repeatedly here, it captures hardly anything of the interesting and difficult bits. Thank you Dr Gordon.
Some of Joyce's Logic is available at the Logic Museum here.
Labels: history of logic, logic museum, paralipomena
His answer involves distinguishing between properties that fictional characters 'hold', and those which they 'have'. Sherlock Holmes 'holds' the property of being a detective. He does not 'have' that property. The only properties that fictional characters have are existence and self-identity. Thus one interpretation of 'Sherlock Holmes does not exist' is 'no one has all the properties the fictional character Sherlock Holmes holds'.
This is not a comfortable solution for a few reasons. Here are two. (i) The distinction between 'have' and 'hold' is arbitrary and the only reason for making seems to be to avoid a serious difficulty with his theory. (ii) The primary motive for Inwagen's theory was the principle that formal logic is simply a regimentation of ordinary English. But then it turns out we cannot express perfectly arguments in ordinary English such as
Fictional characters exist, Sherlock Holmes is a fictional character, therefore, Sherlock Holmes exists
by any simple translation or 'regimentation'. Indeed, according to Inwagen, the argument above should not even be valid.
Labels: existence, fiction, van inwagen